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Lip and bowl fragment. Max. dim. 0.045.
A, nude youth (most of filleted head, back, left arm) seen from the back, perhaps a diskobolos. Preliminary sketch. Relief contour. Dilute glaze: muscles. Red: ... Ca. 480 B.C ... Manner of the Antiphon Painter (Addenda and Corrigenda, p. 915 to ARV2 one 234--237; not in ARV2). |
Floor fragment with concentric circles on underside. Glaze fired slightly brownish. Max. dim. 0.049.
I, youth (head, outstretched left arm, a bit of his left leg) with a javelin. Relief contour.
The ... Ca. 480-470 B.C ... The athlete on 1368 may have looked very similar to the one on the exterior of Philadelphia 2444 in the manner of the Antiphon Painter (ARV2 344, 64; Addenda 220). |
Wall fragment from slightly below maximum diameter. Max. dim. 0.075. Agora XXVII, p. 167, cat. no. 2, pl. 31.
Youth or man (torso, start of thighs, beginning of right arm) leaning far forward to right ... Ca. 500-480 B.C ... Philadelphia 2444 in the manner of the Antiphon Painer (ARV2 344, 64; Addenda 220) and Hamburg 1900.518 by the Briseis Painter (ARV2 407, 11; Paralip. 371, 11; Addenda 232). ... Another possibility is that he is kneeling and looked something like the left youth on side A of Villa Giulia 50430 by the Antiphon Painter (ARV2 340, 62; Paralip. 361, 62; Addenda 218). |
| Fragment of inscribed stele.
Broken away above, below, and at left. Part of right side preserved, worked with toothed chisel. Back rough, with long drilled grooves.
Seventeen lines of the inscription preserved ... Ca. mid. 3rd. century B.C ... Mentions an archon, Antiphon.
Pentelic marble.
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