|
|
| Badly chipped and part of volutes missing.
Poros.
ADDENDA Note traces of white wash or stucco on molding at one of narrow ends. Finished Built into Wall F (Byzantine); fragments of volutes found built ... 29 May 1937 ... ADDENDA Note traces of white wash or stucco on molding at one of narrow ends. |
Hard gray poros, finished rough to receive stucco, of which a little remains.
The top surface is so rough as to suggest a wooden epistyle. Note a cutting for a hook-clamp toward middle of one side.
For ... 2 June 1936 ... Hard gray poros, finished rough to receive stucco, of which a little remains.
The top surface is so rough as to suggest a wooden epistyle. Note a cutting for a hook-clamp toward middle of one side.
... Found on the floor of the north Stoa, and probably from the Stoa. |
| Completely preserved except for phallus. The top of the head is flat and rough-picked, and was probably originally finished with stucco.
Realistic portrait of an elderly man, the lines and folds of flesh ... Period of Hadrian ... The top of the head is flat and rough-picked, and was probably originally finished with stucco.
Realistic portrait of an elderly man, the lines and folds of flesh of the face are carefully shown, including even the circles under the eyes. ... The inscription reads: Μοιραγενησ Δρο
μοκλεουσ εκ Κοιλησ
επωνυμοσ Ιππο
θωντιδοσ φυλησ
ADDENDA Cf. the Moiragenes on the basis of the choregic monument in honor of Philopappos 87/8 A.D., illustrated in Graindor (1931), Athenes de Tibere a Trajan, fig. 4, in almost identical letters (note by BC).
Wrong deme (note by EBH). |
| Seven fragments, making up to four:
a) Two joining fragments preserve full height of block and left end of block, part of bracket and of coffer.
b) Two joining fragments preserve part of fascia below face ... 10 March 1938 ... There are no traces of color over most of the body, but the tuft of the tail is modeled in white stucco in low relief. Enough traces of similar stucco remain around the outlines of tail and body to suggest that much of the design was carried out in this technique. But there are considerable traces of pink on her teats, and some suggestion of inner drawing on her legs. |
|
|
