|
|
Boulter, Cedric G ... American School of Classical Studies at Athens ... Hesperia 35.4 4 310-319 10.2307_147561 ... 1966 ... The Berlin Painter at Corinth |
| Late Archaic Pot Painters; The Berlin Painter. Late Archaic Pot Painters; The Nikoxenos Painter and the Eucharides Painter. ARV² 196, 1. Paralip. 343, 1. Addenda 190. ARV² 197, 11. Paralip. 342, 11. ARV² ... Agora 30 93 ... Late Archaic Pot Painters; The Berlin Painter ... Beazley, The Berlin Painter, Mainz 1974 ... Cardon, The Berlin Painter and His School, diss. |
Shoulder and neck fragment. Max. dim. 0.08. Choes and Anthesteria, p. 91, cat. no. 233.
Frieze of upright encircled palmettes and lotuses. Below:
Below, at right break, part of a thick fillet tied around ... Second quarter of the 5th century B.C ... The pattern has a parallel on Munich 2493, a middle work by the Berlin Painter (ARV2 210, 187). |
Wall fragment with start of mouth. Max. dim. 0.062. H. A. Thompson, Hesperia 17, 1948, pl. 66:2.
Man (left hand, legs missing) to right, leaning on a stick, his right hand on his hip. He wears a himation; ... Ca. 500 B.C ... White (flaked): leaves of wreath.
The Painter of Berlin 2268 (ARV1 115, 50); Recalls the Painter of Berlin 2268 (ARV2 158, ---). |
Fragment of knee end. Max. dim. 0.061.
Woman's head (face) to left, facing a spiral decoration. Preliminary sketch.
For the composition, cf. especially the namepiece of the Painter of Berlin 2624 (ARV2 ... Ca. 430-420 B.C ... For the composition, cf. especially the namepiece of the Painter of Berlin 2624 (ARV2 1225, ---, 1) and one near him, Athens, N.M. 2182 (ARV2 1225, ---, 3). 1645 may be by this painter. |
Wall fragment with start of mouth. Max. dim. 0.04.
Outstretched right hand and tattooed forearm of figure to left. Below, just above the break:
retrograde. Relief contour. Dilute glaze: tattoo. Red:inscription ... Ca. 500 B.C ... For tattoos, see 226.
The Painter of Berlin 2268 (ARV2 157, 81). |
| Two fragments, a) mended from three, b) from five, preserve part of the open end of one side, with the start of the curve at the closed end.
Around the open end, rays; then a laurel band. Around the closed ... 15 March 1937 ... ARV, p. 759, no. 2, near P. of Berlin 2624 ... ARV2, p. 1225, Near the Painter of Berlin 2624, no. 2. |
Wall fragment. Glaze pitted in places on outside. Max. dim. 0.076.
Man (lower part of fringed garment, start of legs) pursuing a woman (drapery, right hand about to take hold of a fold) to right. Preliminary ... Ca. 460 B.C ... For the loose tunic without many folds, cf. Berlin 2186 by the Berlin Painter (ARV2 208, 150; Kaempf-Dimitriadou, Liebe der Götter, p. 36, fig. 6); Naples, inv. 81529 = 3139 from the Circle of the Pan Painter (ARV2 560, 3; Addenda 259); two by the Euaion Painter, Frankfurt VF 406 (ARV2 796, 117; Addenda 290) and Athens, N.M. 1586 (ARV2 798, 146; Addenda 290); Basel, Antikenmuseum und Sammlung Ludwig, LU 53, a stamnos attributed by Lullies to the Christie Painter (Kaempf-Dimitriadou, pl. 28:3; Matheson, Polygnotos, p. 373, cat. no. |
|
|
.png.icon.jpg){kind=icon}
