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Part of three horses, left: back and neck of far red horse; forequarters of centre white horse; and one foreleg of near red horse.
Drawing on the red horse, and the outline of the near hoof, in fine black ... 21 January 1931 ... Part of three horses, left: back and neck of far red horse; forequarters of centre white horse; and one foreleg of near red horse.
Drawing on the red horse, and the outline of the near hoof, in fine black. Dilute glaze for all details, and harness, of the white horse.
Compare oinochoe by the Meidias painter: Athens 10, 424; Att.V. no.462; Phot. |
Horse's legs and man's; grape decoration; hindquarters of horse on piece b.
ADDENDA: Near the Caylus Painter, "Early 5th c. B.C."
Roebuck, no. 162
ABV. Carl Roebuck, Nb. No. 6.
Well A. 91 ... 6 April 1938 ... Horse's legs and man's; grape decoration; hindquarters of horse on piece b.
ADDENDA: Near the Caylus Painter, "Early 5th c. |
Wall fragment. Max. dim. 0.06.
Horse (top of neck and mane, ear, forelock, a bit of forehead and cheek), probably a mount, to right. Preliminary sketch. Relief contour. Dilute glaze: muscles. White: studs ... Ca. 440-430 B.C ... Max. dim. 0.06.
Horse (top of neck and mane, ear, forelock, a bit of forehead and cheek), probably a mount, to right. ... If this is a chariot horse, it has to be the right-hand pole horse; if it were a trace horse, one would expect to see the neck and head of the pole horse where there is black glaze. See the team on Ferrara 1685 = T.308 by the Painter of Bologna 228 (ARV2 511, 5; Paralip. 382, 5; Addenda 252). |
Bowl fragment. Max. dim. 0.075; est. outer diam. of tondo 0.12.
I, border of tondo: stopped-maeander pattern. A (illustrated), man or youth (lower part of himation, toes of right foot) to right, leaning ... Ca. 450 B.C ... In front of him are the hind legs and tail of a horse to right and the end of a spear held by its rider. ... The composition was probably similar to those on these two cups by the Penthesilea Painter, except that the horse is unmounted, and the position of the spear overlapping the right hind leg on 1440 makes clear that the horse on 1440 had a rider: Philadelphia, APS on loan to the University Museum L. 637.1a (ARV2 880, 3; Paralip. 522, 3; Addenda 301) and Göttingen J. 34 (ARV2 881, 25; Addenda 301).
The Penthesilea Painter (ARV2 881, 24). |
Wall fragment. Glaze fired greenish in places. Max. dim. 0.106. H. A. Thompson, Hesperia 18, 1949, pl. 45:5; P. E. Corbett, JHS 85, 1965, pl. 1; Langridge, "Eucharides Painter," p. 345, cat. no. E 6.
... Ca. 500-490 B.C ... Corbett, JHS 85, 1965, pl. 1; Langridge, "Eucharides Painter," p. 345, cat. no. ... For a boy, not a youth or a man, leading a horse, see Vienna, Univ. 501 by Onesimos (ARV2 324, 64; Addenda 215) and side B of Florence PD 56 by the Dokimasia Painter (ARV2 412, 6; CVA, Firenze 4 [Italia 38], pl. 126 [1698]:1).
The Eucharides Painter (ARV2 227, 17; Paralip. 347, 17). |
Floor fragment with start of stem on underside. Max. dim. 0.11; est. diam. of tondo 0.11.
I, youth (all but lower parts) to right, wrapped in a himation with the garment pulled up over the back of his ... Ca. 450 B.C ... In front of him is a horse (croup and start of tail), the body and foreparts cut off by the narrow reserved line, one of two for tondo border.
For a similar composition, see Göttingen J.34 by the Penthesilea Painter (ARV2 881, 25; Addenda 301).
The Painter of Agora P 5192 (ARV2 one 611, 4; ARV2 936, 7: not a Stemless as here). |
Wall fragment. Max. dim. 0.188.
Chariot team (legs of horses), a triga to right. Below, maeander pattern. Preliminary sketch. Dilute glaze: muscles.
For a triga, only to left, see the one driven by Nike ... Ca. 450 B.C ... For a triga, only to left, see the one driven by Nike on Ferrara 2892 = T.300 in the manner of the Peleus Painter (ARV2 1041, 6; Paralip. 443, 6; Addenda 319; Matheson, Polygnotos, p. 443, cat. no. ... On 39, the rightmost forelegs belong to the trace horse; the others to the pole horses. The first pair of hind legs are those of the trace horse; the other, one of the pole horses. |
| Fragment from the wall of a calyx krater. Nude youth, right, looking back left. In his left hand he holds leading reins and a slender staff or goad. His right arm is outstretched to left; the hand, missing, ... 23 April 1948 |
Bowl fragment. Max. dim. 0.082; est. diam. of tondo 0.16.
I, jockey (head with long hair streaming behind him; shoulder) to right. Around tondo, stopped-maeander pattern. A, horse race. At the left, one ... Ca. 470-460 B.C ... Around tondo, stopped-maeander pattern. A, horse race. At the left, one raised foreleg of a horse galloping to right, then the goal post. Next come the hindquarters and barrel of another horse, also to right. The two curved lines of glaze on the body of the horse might be the thongs of the jockey's whip, for they do not correspond to equine anatomy. |
Wall fragment. Max. dim. 0.067. Langridge, "Eucharides Painter," p. 349, cat. no. E 20.
Fight. At the left is the raised right foreleg of a horse to right, overlapping the lower edge of a short chiton ... Ca. 500-490 B.C ... Langridge, "Eucharides Painter," p. 349, cat. no. ... At the left is the raised right foreleg of a horse to right, overlapping the lower edge of a short chiton worn by an Amazon moving to right and also the start of her thighs. ... The Eucharides Painter (ARV1 156, 41; ARV2 230, 60). |
Neck fragment. At the top either the start of the upper zone or the rim. Max. dim. 0.059. Langridge, "Eucharides Painter," p. 448, cat. no. K 3.
Woman (hands, lower parts missing) standing to right with ... Ca. 500-490 B.C ... Langridge, "Eucharides Painter," p. 448, cat. no. ... Behind her, the top of the head of a horse (right ear, a bit of its mane), also to right. ... Compare the Karkinos Painter (ARV2 224, ---, the number wrongly given as P 368). |
Mended with the missing pieces restored in plaster and painted, notably much of the rim, neck, and a bit of the body on Side A. Much of the glaze fired red, otherwise dull. Surface pitted in places. H ... Third quarter of the 4th century B.C ... A (illustrated), head of horse, head of Amazon, head of griffin to right (top of griffin and horse, most of Amazon missing). ... The Amazon Painter (ARV2 1479, 20). |
Wall fragment. Max. dim. 0.10.
Chariot (left hind leg of horse, hock of right; part of wheel) to left above pyre (top with flames). At the lower right, Nike (head with wreath, part of wing), also to left ... First quarter of the 4th century B.C ... Chariot (left hind leg of horse, hock of right; part of wheel) to left above pyre (top with flames). ... That the object below the horse's hoof should be identified as a pyre and not as an altar is made clear by the presence of flames alongside it; they do not appear solely on top.
The horse is the left-hand trace horse, and it overlaps the left wheel of the vehicle. ... An exception appears on the bell-krater by the Painter of London F 64 in S. |
Mended with missing pieces restored in plaster and painted. Much of the glaze misfired. Surface very pitted. H. 0.28; diam. 0.168. H. A. Thompson, Hesperia 3, 1934, p. 334, fig. 14 and p. 428, fig. 114 ... Third quarter of the 4th century B.C ... A, head of griffin, head of Amazon, head of horse (parts of each missing). ... The Amazon Painter (ARV2 1479, 19). |
Two non-joining fragments, a of neck and shoulder, b of rim, neck and shoulder. Max. dim. a) 0.095, b) 0.085.
Fragment a preserves the filleted head of a man and the head of a muzzled horse, both to right ... Ca. 520 B.C ... Fragment a preserves the filleted head of a man and the head of a muzzled horse, both to right. ... One should not, however, completely rule out the possibility that this horse is a mount. Harnessing scenes are very rare in red figure; the only ones known to me thus far are: Munich 2420 from the Pezzino Group (ARV2 32, 3; CVA, 5 [Deutschland 20], pl. 221 [936]:3; Mind and Body, p. 312, no. 199; Addenda 157); Vatican 16575 (506) by Epiktetos (ARV2 73, 27; Addenda 168); and Louvre G 196 by the Troilos Painter (ARV2 296, 2). ... The other horse in this scene is bridled.
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| Depicts rearing horses, men in Phrygian caps. Mended from many pieces. Bottom and a large part of one side gone. Apparently the same representation on both sides, though the one (slightly more careful) ... June 1932 ... over back of rear horse. Accessory red carelessly applied. ... ADDENDA CHC painter (JDB Summer 1953). |
Wall fragment. Glaze fired brownish on outside. Max. dim. 0.084.
Apotheosis of Herakles, to left. What remains of Herakles is most of his body, his left hand holding the club, a little of his outstretched ... First quarter of the 4th century B.C ... The curved area just above the break is the tail of the left-hand trace horse. Dilute glaze: drapery folds. ... The subject of 441 is identified by comparison with the namepiece of the Painter of London F 64 (ARV2 1419, 1; LIMC V, 1990, p. 129, no. 2922, pl. 121, s.v. |
Four non-joining fragments, a with part of trefoil mouth and all of handle, part of body; b -- d are wall fragments from lower down. Brown glaze on inside. P.H. a) 0.073. Max. dim. a) 0.108, b) 0.102, ... Ca. 430 B.C ... Youth and horse. Fragment a shows the upper parts of a youth to left, wearing a petasos and a chlamys over a chiton and holding two spears in his left hand. ... In front of the horse:
Below the figures, egg pattern with dots, the eggs having a double contour. ... For the egg pattern with two lines separating each unit, a not very common variant, see 694; 720; 1015; 1016; two by the Shuvalov Painter: New York, M.M.A. 08.258.24 (ARV2 1208, 39; Addenda 346) and Athens, Vlasto (ARV2 1208, 40; Addenda 346); one in his manner, London, B.M. |
| Mended from many pieces; a few small wall fragments missing. Deep bell mouth; neck inset from shoulder; sloping shoulder; thick ring at base of wall; elaborately profiled foot.
On shoulder, tongues and ... 2 June 1954 ... White for the wreath and dots of himation, also patches on the third horse and a stripe on the belly of the dog.
Gela Painter.
Cf. the people and the dog on Haspels (1936), pl. 24, 2a (also the chariot and horses though not so completely). |
Four non-joining wall fragments. Glaze brownish and streaky on inside and stops 0.08 from top break on fragment a. Max. dim. a) 0.119, b) 0.069, c) 0.091, f) 0.04.
Men or youths with horse or mule. Fragment ... Ca. 490 B.C ... Men or youths with horse or mule. Fragment a preserves the hind legs of the animal to right and a bit of the reserved ground line. ... Recalls the Goettingen Painter (ARV2 235, ---). |
Wall fragment. Surface pitted in places. Max. dim. 0.161. LIMC V, 1990, p. 129, sub 2922, s.v. Herakles.
Apotheosis of Herakles. The fragment shows the chariot team (heads, necks of right-hand pole and ... First quarter of the 4th century B.C ... The fragment shows the chariot team (heads, necks of right-hand pole and trace horses, part of their forelegs; head of left-hand pole horse) galloping to left. ... X, p. 57, no. 255, pl. 24) that was said by Beazley (in a letter to Lucy Talcott dated April 6, 1953) to recall the Painter of London F 64 (not in ARV2). 440 and 441 are probably not from the same bell-krater because the glaze on the inside of 440 fired slightly brownish, that on 441 is black. |
Fourteen non-joining fragments, b with start of handle; e, f, m of handles; d of foot. The rest are wall fragments. Only a -- c, g -- i preserve figured decoration. Narrow reserved band on inside of b ... Ca. 430-420 B.C ... Fragment a (illustrated) preserves more of this rider, part of his sandaled feet, chlamys, and petasos, as well as the hindquarters of his horse. Then comes the next rider: head, neck, forelegs, part of hindquarters of the mount; head, chlamys, petasos, raised right arm, sandaled feet of the rider. ... The Marlay Painter [E. B. Harrison; G. |
Seven non-joining fragments, mostly of wall, a / e and f with shoulder, g of overhang of rim from near handle plate. Glaze rather dull on b and d. Max. dim. a/e) 0.107, b) 0.088, c) 0.073, d) 0.053, f) ... Ca. 500-490 B.C ... Koumanoudi, ἈρχἘφ 1976, p. 214, fig. 1 (fragment b); Langridge, "Eucharides Painter," p. 348, cat. no. ... GR 1861.4--25.50 = B 197 by the Painter of Berlin 1686 (ABV 296, 1; Paralip. 128, 1; Addenda 77). ... The Eucharides Painter (ARV2 230, 50; Addenda 199). |
P 134 andThree non-joining wall fragments, P 5110 a with roots of one handle. Glaze flaked in many places; fired brown on much of inside. P.H. of P 5110 a) 0.185; P.W. 0.29; max. dim. P 134: 0.184, P 5110 ... Third quarter of the 5th century B.C ... P 134 comes from Side B and shows Chiron (part of torso and thigh with short chiton and folds of himation, left hand holding a branch, part of his horse body and hind legs) standing to left. ... For a good parallel, see Munich inv. 8738 by the Berlin Painter (ARV2 209, 161; Paralip. 343, 161; Addenda 195). |
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