[Agora Object] Agora XXX, no. 1560

Mended with the missing pieces restored in plaster and painted, notably part of the bowl and lip, all of one handle, and part of the foot. Two incised lines on stem. Glaze misfired reddish and greenish ... Ca. 510-500 B.C ... Similar objects appear in the tondi of two other cups by the Pithos Painter, London, B.M. E 29 and E 30 (ARV2 139, 8--9). ... Smith (Catalogue of the Greek and Etruscan Vases in the British Museum III, London 1896, p. 59) suggests that the object may be a discus.

[Agora Object] Agora XXX, no. 1556

Two non-joining fragments of lip and bowl, a with all of one handle preserved, b with start of roots of other. Lip offset on inside and outside. P.H. of a) 0.042; max. dim. b) 0.12; diam. at rim 0.16; ... Ca. 510-500 B.C ... Kilmer, Greek Erotica on Attic Red-Figure Vases, London 1993, cat. no. ... Beazley (Some Attic Vases in the Cyprus Museum [Proceedings of the British Academy 33], London 1948, pp. 29--30) and by K.

[Agora Object] Agora XXX, no. 716

Mended with the missing pieces restored in plaster and painted, notably most of the mouth and handle. Glaze misfired reddish brown on back; abraded on inside of handle at join of neck. H. 0.181; diam ... Late 5th century B.C ... Webster, Art and Literature in Fourth Century Athens, London 1956, pl. 2; C. ... Hughes, eds. (British Museum Occasional Paper no. 48, 1985) [ pp. 43--57], p. 54, fig. 4; C. Mattusch, Greek Bronze Statuary: From the Beginnings through the Fifth Century B.C., Ithaca/London 1988, p. 233, fig.

[Agora Object] Agora XXX, no. 1410

P 7690 +Floor fragment with start of stem on underside. Coral-red around tondo on inside and below figures on outside. Max. dim. 0.075. G. M. A. Richter, BSA 46, 1951, pl. 16:c (A); B. Cohen, Marsyas 15, ... Ca. 500 B.C ... Kilmer, Greek Erotica on Attic Red-Figure Vases, London 1993, cat. no. ... Beazley (Some Attic Vases in the Cyprus Museum [Proceedings of the British Academy 33], London 1948, p. 30) restored the main inscription as it is given above ("loving cup") and remarked that the style of drawing is similar to that of Boston, M.F.A. 10.193, which praises Athenodotos and recalls the early work of Douris (ARV2 1567, 12; Paralip. 506).