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[Agora Publication Page] Agora 23, s. 373, p. 357

Associated with the Class of teh Oxford Siren-jug. St. Audries Painter. Salax, potter. Sandal Painter. Compare the Painter of the Palermo Gorgoneion. Sappho Painter. Segment Class. Palmette-and-swan Group ... Agora 23 357 ... Audries Painter ... Sandal Painter ... Madrid Painter

[Agora Object] Agora XXX, no. 452

Wall fragment. Reserved band on inside near top. Surface scratched on outside. Max. dim. 0.057. Youthful satyr (wreathed head, right shoulder) looking to right. White: band of wreath. Dilute glaze: part ... Early 4th century B.C ... Perhaps by the Oinomaos Painter. Compare the head of Poseidon, especially the drawing of the eye on Naples 2200 (ARV2 1440, ---, 1; Paralip. 492, 1; Addenda 377) and the left satyr, especially the bent ear, on Madrid 11017 (ARV2 1440, ---, 2; Addenda 377).

[Agora Object] Agora XXX, no. 153

Three non-joining fragments: a, the lower part of the body and flaring ring foot with a groove, mended from many fragments and strengthened with plaster; b, of mouth with grooved top side, neck and shoulder, ... Ca. 410 B.C ... Probably by the same hand as the two lebetes gamikoi in Madrid that Beazley says continue the tradition of Athens, N.M. 1681 in the manner of the Meidias Painter but are no longer Meidian: Madrid 11264 (ARV2 1332, 2) and Madrid 11263 (ARV2 1332, 3).

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[Agora Publication Page] Agora 23, s. 54, p. 38

Hydriai; Kalpides. Pioneer Group. Hydriai; Kalpides; Picture on the Shoulder. Hydriai; Kalpides; Picture on the Body. Parke-Bernet 9. April 1953, p. 25, no. 150. Greenwich, Bareiss, L.69.11.12. Greek Vases: ... Agora 23 38 ... Acheloös Painter ... Madrid Painter ... Nikoxenos Painter

[Agora Object] Agora XXX, no. 137

Three non-joining wall fragments of stand, a from near top, b and c preserving part of the torus foot. Much of the surface pitted on a; glaze abraded on foot. P.H. a) 0.11, b) 0.073, c) 0.05. Fragment ... Ca. 410 B.C ... Fragment c gives more of the two patterns. 137 seems to be by the same hand as the lebetes gamikoi in Madrid that Beazley says continue the tradition of Athens, N.M. 1681 in the manner of the Meidias Painter but are no longer Meidian: Madrid 11264 (ARV2 1332, 2) and Madrid 11263 (ARV2 1332, 3).

[Agora Object] Agora XXX, no. 384

Wall fragment. Surface abraded and pitted. Max. dim. 0.078. A, symposion. A man (chin, body to hips, right arm outstretched) reclines to left on a couch, looking back at a woman (part of body and legs) ... Ca. 400 B.C ... The Nikias Painter (ARV2 1333, 9). ... E 811 (ARV2 1334, 26; Paralip. 480, 26) or the one on his bell-krater in Madrid 11020 (ARV2 1333, 7). 384 seems to be more carefully drawn.

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[Agora Publication Page] Agora 23, s. 26, p. 10

Neck-Amphorae; Panel Neck-Amphorae. Painter of Vatican 309. Vatican 309. Painter of Louvre F 6. Louvre F 6. Neck-Amphorae; Neck-Amphorae of Panathenaic Shape. Paralip. 31, 4. Laon 371017. New York, M.M.A ... Agora 23 10 ... Painter of Vatican 309 ... Painter of Louvre F 6 ... Painter of London B 76

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[Agora Publication Page] Agora 23, s. 29, p. 13

Beazley, Development, p. 88. Frel, PPA, p. 5. M. Vos, "Some Notes on Panathenaic Amphorae," Oudheidkundige Mededelingen uit het Rijksmuseum van Oudheden te Leiden 62, 1981, pp. 33-46, esp. pp. 38-46. London, ... Agora 23 13 ... Swing Painter ... Madrid 10901 ... Euphiletos Painter