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Lip and bowl fragment. Reserved line on inside and outside at rim. Max. dim. 0.059.
A, satyr with pelta riding a full wineskin. What remains besides the pelta decorated with a frontal animal's head between ... Ca. 510-500 B.C ... For a satyr with a pelta, see the one attacking Iris on Boston, M.F.A. 08.30a, also from the Wider Circle of the Nikosthenes Painter but rather rough (ARV2 135 [a]; Addenda 177). ... Wider Circle of the Nikosthenes Painter (ARV2 133, 9). |
Floor fragment. Max. dim. 0.715; est. diam. of tondo 0.11.
I, satyr (most of filleted head, right shoulder, and upper part of right arm, a little of right thigh) reclining to left, chest frontal, head ... Ca. 510-500 B.C ... Probably by a painter from the Wider Circle of the Nikosthenes Painter. |
Floor fragment with stem. Two incised lines to simulate fillet. Max. dim. 0.073.
I, woman (head, both feet missing) seated to right, holding a nude male child (head missing) in her outstretched arms ... Ca. 510-500 B.C ... The lively, but rather rough, drawing bears some similarity to that on two cups by one hand, a painter in the Wider Circle of the Nikosthenes Painter: Boston, M.F.A. 08.30a (ARV2 135 [a]; Addenda 177) and Berlin 1964.4 (ARV2 1700; Paralip. 334; Addenda 177). |
Floor fragment. Max. dim. 0.075; est. diam. of tondo 0.09.
I, figure (drapery) reclining to left. In the glazed exergue below the couch, part of an imitation inscription:
Reserved line for tondo border ... Ca. 510-500 B.C ... The best parallels for 1536 seem to be these two tondi: Louvre CA 1585, connected in its potting with Pamphaios, but otherwise unattributed (ARV2 131, ---; Addenda 177); once Basel Market, roughly connected to the Wider Circle of the Nikosthenes Painter (ARV2 134, 9). |
| Associated with the Class of teh Oxford Siren-jug. St. Audries Painter. Salax, potter. Sandal Painter. Compare the Painter of the Palermo Gorgoneion. Sappho Painter. Segment Class. Palmette-and-swan Group ... Agora 23 357 ... Audries Painter ... Sandal Painter ... Nikosthenes Painter |
Floor fragment with start of stem on underside. Max. dim. 0.094. H. A. Thompson, Hesperia 27, 1958, pl. 46:a.
I, satyr (wreathed head, torso to waist, most of right arm, top of tail, and part of left ... Ca. 510-500 B.C ... Assigned by Beazley to the Painter of P 24102, a.k.a. the Painter of the Agora Chairias Cups (ARV2 176--177; Paralip. 339; Addenda 185). ... Not in ARV2.
1606 probably belongs to the Wider Circle of the Nikosthenes Painter and bears some resemblance to these satyrs: Brussels A 201 (ARV2 133, 19); Brussels A 1377 (ARV2 134, 2; Addenda 177); and Boston 08.30a (ARV2 135 [a]; Addenda 177); for the locks of hair ending in inverted question marks, cf. especially the right satyr on side B of the last. |
| Protoattic. Andokides, potter. Analatos Painter. Antidoros. Kynosarges Painter. Antimenes Painter. Cactus Painter. Pair Painter. Camtar Painter. Ram-jug Painter. Capodimonte Group. Caylus Painter. Corinthian ... Agora 23 355 P 1241 P 7891 P 24327 P 24340 P 24366 P 24377 P 24381 P 24402 P 24486 ... Analatos Painter ... Kynosarges Painter ... Antimenes Painter |
| Ready Painter. Amasis Painter. Exekias. Painter of Berlin 1686. Princeton Group. Swing Painter. Group E. Lysippides Painter. Antimenes Painter. Psiax. Nikosthenes. Houston 34.129. ABV 125, 32. Paralip ... Agora 23 86 ... Ready Painter ... Amasis Painter ... Painter of Berlin 1686 |
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