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| Part of foot missing and restored in plaster; dented on Athena's shield and below lower handle attachment. Thick mouth with curved outline; band handle rooted on lip above with two knobs on each side of ... 5 May 1953 |
| The Dot-ivy Class. Paralip. 194, 1 bis. Oinochoai; Olpai; Mouth Not Trefoil. Fill. Oinochoai; Olpai; Type Uncertain; Mouth Lost. Well. Brann, Hesperia 30, 1961, p. 349, G 6, pl. 75. Bothmer, Amazons, p ... Agora 23 191 P 4235 P 23468 P 9992 P 26668 P 23451 P 26798 P 23196 P 6457 E 14:11 R 8:2 V 23:1 T 19:1 H 12:15 F-G 12:1 ... 500 B.C ... Paralip. 194, 1 bis ... Paralip. 3, 12 ... Paralip. 1 |
| ARV² 185, 32. Paralip. 340, 32. Addenda 187. Well. Ostraka. Agora 27, p. 167, cat. no. 3, pl. 31. Ashmead, Hesperia 35, 1966, pl. 9. G. Neumann, Gesten und Gebärden in der griechischen Kunst, Berlin, 1965, ... Agora 30 175 P 6103 P 18278 P 19582 P 24280 P 20244 P 17211 E 15:6 A 18-19:1 ... 500-490 B.C. |
| New York, M.M.A. 56.171.12. ABV 134, 22. Paralip. 55, 22. Munich 1380. ABV 135, 34. Tarquinia, inv. no. 617. Paralip. 56, 36 bis. Adolphseck 2. ABV 686, 40 bis. Paralip. 55, 40 bis. Boston, M.F.A. 00.330 ... Agora 23 183 P 4905 P 1869 P 26629 P 14372 P 6564 P 21 P 4634 P 3256 N 10:1 E-F 12-14 F-G 12:1 ... 540 B.C ... Paralip. 56, 36 bis ... Paralip. 55, 40 bis ... Paralip. 56, 48 bis |
| Late Archaic Pot Painters; Myson and Other Painters of Column-Kraters. Addenda 199. ARV² 224, 1. ARV² 206, 132. Paralip. 343, 132. Addenda 194. Addenda 198. ARV² 224. ARV² 229, 35. Paralip. 347, 35. Paralip ... Agora 30 94 ... ARV² 224, 1 ... Addenda 194 ... Paralip. 347, 43 bis |
| ARV² 355, 50. Ostraka. H.A. Thompson, Hesperia 28, 1959, pl. 22:a, c. Buitron-Oliver, p. 75, cat. no. 38, pl. 24. ARV² 214, 243. ARV² 438, 138. Buitron-Oliver, p. 87, cat. no. E 12. D.C. Kurtz, JHS 103, ... Agora 30 320 P 26245 P 19580 P 19953 P 6159 P 17531 P 20074 P 12688 P 8119 P 10865 A 18-19:1 E 15:6 J 18:6 D 11:4 ... 490-480 B.C ... Paralip. 370, 1 ... Paralip. 370, 14 bis ... Paralip. 370, 12 bis |
| ARV² 600, 14. Paralip. 395, 14. Addenda 266. ARV² 224, 1. Prange, Niobidenmaler, p. 183, cat. no. N 15. ARV² 28, 10. Addenda 156. ARV² 612, 1. Paralip. 397, 1. Addenda 268. AM 89, 1974, pl. 47:1. ARV² ... Agora 30 25 ... Paralip. 397, 1 ... Paralip. 344, 131 bis ... Paralip. 394, 1 |
| Group of the Early Olpai. ABV 14, 6. 679, 8 bis. Paralip. 9, 6 and 8 bis. Oinochoai; Olpai; Type Uncertain; Mouth Lost. Fill. Other. ABV 14, 12. Pit. Louvre F 7. CVA, Louvre 6 [France 9], pl. 59 [398]:4, ... Agora 23 194 P 4337 P 22866 P 6156 P 12527 P 13862 P 20551 P 26726 P 354 P 24945 P 13025 E 14:11 H-K 12-14 E 14:8 R 17:3 T 24:3 C 18:8 U 19:2 Q 13:5 U 25:2 ... Early 6th B.C. |
| Amasis Painter. Psiax. Group of the Paidikos Alabastron. Diosphos Painter. Emporion Painter. Phormiskoi. Mertens, Attic White-Ground, pp. 35-40, 95-100. Mertens, Attic White-Ground, pp. 35-40. ARV (2) ... Agora 23 48 ... ARV (2) 98-101, 1-30 ... Paralip. 330-331 ... Paralip. 66 |
Bowl fragment. Max. dim. 0.032; est. diam. of tondo 0.14. H. A. Thompson, Hesperia 28, 1959, pl. 22:a, c.
I, around tondo, stopped-maeander pattern with cross-squares. A, nude man or youth (from the waist ... Ca. 490-480 B.C ... For the Foundry Painter, the best comparisons are these: the central youth on side A of the namepiece (ARV2 400, 1; Paralip. 370, 1; Addenda 230); the youth in the tondo of London, B.M. ... GR 1895.5--13.1 (Paralip. 370, 14 bis; CVA, pl. 71 [847].a); and a newcomer, the cup in Bloomington, Ind., the Indiana University Art Museum, 75.19.1 (E. ... GR 1850.3--2.2 = E 78; Toledo 64.126 (Paralip. 370, 12 bis; Addenda 231); and Berlin 3198 (ARV2 402, 13; Paralip. 370, 13). |
| Pit. Well. Choes and Anthesteria, p. 82, cat. no. 178, fig. 48. J. Oakley, The Achilles Painter, Maiz 1996, cat. no. 107. BSA 66, 1971, p. 194, no. 3. ARV² 1208, 38. Paralip 463, 38. Addenda 368. Choes ... Agora 30 233 P 20569 P 23851 P 5729 P 18799 P 27327 P 18801 P 13079 R 11:1 Q 15:2 E 16:1 B 19:11 ... 440 B.C ... BSA 66, 1971, p. 194, no. 3 ... Paralip 463, 38 ... Paralip. 460, 6 |
| F. Hitzl, Die Entstehung und Entwicklung des Volutenkraters von den frühesten Anfängen bis zur Ausprägung des kanonischen Stils in der attisch schwarzfigurigen Vasenmalerei, Frankfurtam-Main 1982[Archäologische ... Agora 30 24 ... ARV² 536, 1 ... Paralip. 384, 1 ... Paralip. 395, 13 |
| One-Piece Amphorae; Panel Amphorae. Lydos. Akropolis 607. ABV 107, 1. Tiverios, pl. 1:α. Fill. ABV 113, 81. Paralip. 45, 81. Tiverios, pl. 42. Munich 1681. ABV 108, 12. Tiverios, pl. 2. Louvre E 804. ABV ... Agora 23 107 P 26632 P 5895 P 19129 P 12669 P 16563 P 1684 P 26975 P 4671 P 17800 C 18:4 V 24:2 T 25:2 E-F 12-14 J 18:4 ... 560-550 B.C ... ABV 107, 1 ... Tiverios, pl. 1:α ... Paralip. 56, 56 bis |
Two non-joining fragments, a of wall, b of rim and neck with start of handle zone at far left. Glaze pitted on inside of a. Max. dim. a) 0.077, b) 0.14; W. of rim 0.025; H. of neck 0.063. W. B. Dinsmoor, ... Ca. 480 B.C ... Hektor may have looked something like his counterpart on the volute-krater in London by the Berlin Painter that names the figures (E 468: ARV2 206, 132; Paralip. 343, 132; Addenda 194) or the kalpis in the Vatican, H 545, by the Eucharides Painter (ARV2 229, 38; Paralip. 347, 38; Addenda 199). ... The scene on 237 might also illustrate the fight between Diomedes and Aineas: cf. the namepiece of the Tyszkiewicz Painter, Boston 97.368 (ARV2 290, 1; Paralip. 355, 1; Addenda 210), though this seems less likely. ... E 468 and Karlsruhe 68.101 (Paralip. 344, 131 bis; Addenda 194). |
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