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Fragment of cul and body. Max. dim. 0.09.
On cul, chain of double lotuses and encircled palmettes.
The only painter to favor the chain of double lotuses and palmettes on the culs of his calyx-kraters ... Ca. 450 B.C ... The only painter to favor the chain of double lotuses and palmettes on the culs of his calyx-kraters is Euphronios, who used it six times, always on the obverse: Louvre G 103 (ARV2 14, 2; Paralip. 322, 2; Addenda 152; Euphronios, cat. no. 3; Denoyelle, Chefs-d'oeuvre . . . Louvre, pp. 104--105, cat. no. 47); Louvre G 110 (ARV2 14, 3; Paralip. 322, 3; Addenda 152; Euphronios, cat. no. 2); Louvre G 33 (ARV2 14, 4; Euphronios, cat. no. 11); Munich inv. 8935 (ARV2 1619, 3 bis; Paralip. 322, 3 bis; Addenda 152; Euphronios, cat. no. 5); New York, M.M.A. 1972.11.10 (Euphronios, cat. no. 4); and New York, Levy and White (Euphronios, cat. no. 6). Elsewhere, it may be seen on the following: 271; Ferrara 2891 = T.313 by the Niobid Painter (ARV2 602, 24; Paralip. 395, 24; Addenda 266; Prange, Niobidenmaler, p. 187, cat. no. N 32); Rome, Villa Giulia 909, the namepiece of the Villa Giulia Painter (ARV2 618, 1; Paralip. 398, 1; Addenda 270); Ferrara 2893 = T.617, the namepiece of the Peleus Painter (ARV2 1038, 1; Paralip. 443, 1; Addenda 319; CVA, Ferrara 1 [Italia 37], pl. 22 [1666]:2, 3; Reeder, Pandora, pp. 349--351, cat. no. 110; Matheson, Polygnotos, p. 436, cat. no. |
| Classical Pot Painters; The Polygnotos and His Group. ARV² 1030, 33. Paralip. 442, 33. Addenda 317. Oakley, Phiale Painter, pp. 17-46 and pp. 45-46. Matheson, Polygnotos, p. 354, cat. no. P 38, pl. 62 ... Agora 30 117 ... Matheson, Polygnotos, p. 354, cat. no. P 38, pl. 62 ... Matheson, Polygnotos, p. 354, cat. no. P 1, pl. 19 ... Reeder, Pandora, pp. 349-351, cat. no. 110 |
| Pit. T.L. Shear, Hesperia 7, 1938, p. 345, fig. 28. R.R. Holloway, Archaeology 19, 1966, p. 115, fig. 4. Beck, Album, pl. 47:256 (A). Godess and Polis, p. 50, fig. 31. R.R. Holloway,Music at the Panathenaic ... Agora 30 135 P 9486 P 27349 P 25015 P 21402 F 5:3 S 16:1 N 7:3 ... 440-430 B.C ... Matheson, Polygnotos, p. 440, cat. no. PE 22, pl. 88 ... Matheson, p. 441, cat. no. PE 26 ... Reeder, Pandora, pp. 349-351, cat. no. 110 |
Lower half of body, all of torus foot, start of handle B/A. Strengthened with plaster. Thin reddish glaze on inside. Misfired reddish in places on outside. Pitted here and there. P.H. 0.035. R. R. Holloway, ... Ca. 440-430 B.C ... Holloway, Archaeology 19, 1966, p. 113, figs. 1--3, p. 114, fig. 6; Beck, Album, pl. 44:237, 238; Goddess and Polis, fig. 38; Matheson, Polygnotos, p. 445, cat. no. PEM 14.
... E 271 (ARV2 1039, 13; Paralip. 443, 13; Addenda 319; Matheson, p. 439, cat. no. PE 16, pl. 95) and Kalliope on Paris, Petit Palais 308 (ARV2 1040, 22; Addenda 319; Matheson, p. 441, cat. no. ... Also, the drawing of the ankle bone is more carefully articulated on vases by the painter: e.g., the namepiece, Ferrara 2893 = T.617 (ARV2 1038, 1; Paralip. 443, 1; Addenda 319; Reeder, Pandora, pp. 349--351, cat. no. 110; Matheson, p. 436, cat. no. |
| ARV² 14, 2. Paralip. 322, 2. Addenda 152. Euphronios, cat. no. 3. Denoyelle, Chefs-d'oeuvre-Louvre, pp. 104-105, cat. no. 47. E. Vanderpool, Hesperia 15, 1946, p. 286, pl. 36. M. Farnsworth, Archaeology ... Agora 30 179 P 4811 P 3445 P 23207 P 23137 P 19175 P 9438 P 24867 P 27718 C 18:7 C 9:6 ... 460 B.C ... Euphronios, cat. no. 3 ... Denoyelle, Chefs-d'oeuvre-Louvre, pp. 104-105, cat. no. 47 ... Reeder, Pandora, pp. 349-351, cat. no. 110 |
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