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| First interpretation: Mold signed fragment.
Broken at left and chipped along outer edge at top.
Preserved is a male figure, bearded and partly draped, reclining on a couch and playing the double flutes, ... 27 March 1939 |
| Fragment from mold for upper left corner of high relief; depressed frame.
Relief widens towards bottom of fragment.
In the positive, upper front part of head in profile left; above it a thyrsos, horizontally, ... 1949 |
| Nude male figure.
Mended from six fragments. Head and arms missing; with holes for attachment; lower legs missing, and large part from left side.
Traces of white.
Buff clay.
ADENDA Cf. Delos IV, pp. 26 ... 1949 |
| Curve fragment.
Rectangular stamp, two lines, separated by a horizontal; right side and lower edge not struck. Finished Brown fill. arrow
ΑΘ or ΛΟ (AB) Leica ... 14 April 1939 |
| The right arm, from the shoulder of a large figurine.
Middle fingers missing at knuckles.
The arm is outstretched; the hand clasped to grasp some object, a hole for which is pierced through the hand. A ... 1 April 1939 |
| Complete.
A small plump bird with spreading tail, rather long thick neck, stumpy legs and a comb. An extra "leg" under the tail helps him to stand.
Handmade.
Red clay. Sacrificial Pit X, red fill under ... 12 June 1939 |
| First interpretation: female head.
Head of man wearing heavy rolled crown.
Broken off at base of neck; one side of crown misisng; face much worn, features almost obliterated.
Traces of white.
Grayish-buff ... 24 June 1946 |
| First interpretation: mold for dancing draped female figurine.
Broken along one edge; otherwise complete.
Figure, left (in mould), in low relief.
Pink to red clay, slightly micaceous and grayish at the ... 21 May 1940 |
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