|
|
| First interpretation: Mold signed fragment.
Broken at left and chipped along outer edge at top.
Preserved is a male figure, bearded and partly draped, reclining on a couch and playing the double flutes, ... 27 March 1939 |
| Fragment from mold for upper left corner of high relief; depressed frame.
Relief widens towards bottom of fragment.
In the positive, upper front part of head in profile left; above it a thyrsos, horizontally, ... 1949 |
| Nude male figure.
Mended from six fragments. Head and arms missing; with holes for attachment; lower legs missing, and large part from left side.
Traces of white.
Buff clay.
ADENDA Cf. Delos IV, pp. 26 ... 1949 |
| The right arm, from the shoulder of a large figurine.
Middle fingers missing at knuckles.
The arm is outstretched; the hand clasped to grasp some object, a hole for which is pierced through the hand. A ... 1 April 1939 |
| Complete.
A small plump bird with spreading tail, rather long thick neck, stumpy legs and a comb. An extra "leg" under the tail helps him to stand.
Handmade.
Red clay. Sacrificial Pit X, red fill under ... 12 June 1939 |
| First interpretation: mold for dancing draped female figurine.
Broken along one edge; otherwise complete.
Figure, left (in mould), in low relief.
Pink to red clay, slightly micaceous and grayish at the ... 21 May 1940 |
| A small woman.
Head missing, otherwise apparently complete.
Roughly modelled; the back plain.
No trace of color.
ADDENDA, D. Burr-Thompson: Late Hellenistic (?) New grid questionable. Dump from Middle ... 1940 |
| Complete handle, with finger hollow at its base.
Heart-shaped stamp; double axe; no letters. West terrace, Triangle; layer IV, south; 420-390 B.C. double axe (in heart) Leica ... 23 May 1940 |
|
|
