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| First interpretation: Mold signed fragment.
Broken at left and chipped along outer edge at top.
Preserved is a male figure, bearded and partly draped, reclining on a couch and playing the double flutes, ... 27 March 1939 |
| Fragment from mold for upper left corner of high relief; depressed frame.
Relief widens towards bottom of fragment.
In the positive, upper front part of head in profile left; above it a thyrsos, horizontally, ... 1949 |
| Nude male figure.
Mended from six fragments. Head and arms missing; with holes for attachment; lower legs missing, and large part from left side.
Traces of white.
Buff clay.
ADENDA Cf. Delos IV, pp. 26 ... 1949 |
| Broken off at the neck.
A hollow in the bottom suggests the vase was made by turning.
Red stains (from burning: algae?).
Soft yellow poros.
Cf. Hesperia 20 (1951), p. 121. Finished Grave; pyre 6. 4306 ... 23 April 1947 |
| Woman, probably Nike, moving-flying or running-forward with very full drapery blown black. Drapery slipped down over one shoulder and breast.
Head, lower arms and small fragments missing; mended from many ... 26 July 1946 |
| On left hip traces of scabbard (?) hanging from strap which passes over right shoulder; handle of sword (?) grasped in right hand, blade broken off.
Mended from many pieces; head, left arm and legs from ... 26 July 1946 |
| Perhaps from a plastic pot.
Broken off at neck.
Bridle and reins added in white over red (or vice versa ?).
Soft buff clay covered with dull black glaze. Layer I. 602 Leica ... 26 July 1946 |
| Woman's head with a heavy rolled wreath or crown and locks of hair hanging beside the neck.
Broken off behind and at base of neck.
Traces of white.
Pink to buff clay. Between TC drain and Great Drain; ... 19 April 1947 |
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