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| First interpretation: Mold signed fragment.
Broken at left and chipped along outer edge at top.
Preserved is a male figure, bearded and partly draped, reclining on a couch and playing the double flutes, ... 27 March 1939 |
| Fragment from mold for upper left corner of high relief; depressed frame.
Relief widens towards bottom of fragment.
In the positive, upper front part of head in profile left; above it a thyrsos, horizontally, ... 1949 |
| Nude male figure.
Mended from six fragments. Head and arms missing; with holes for attachment; lower legs missing, and large part from left side.
Traces of white.
Buff clay.
ADENDA Cf. Delos IV, pp. 26 ... 1949 |
| Broken off at the neck.
A hollow in the bottom suggests the vase was made by turning.
Red stains (from burning: algae?).
Soft yellow poros.
Cf. Hesperia 20 (1951), p. 121. Finished Grave; pyre 6. 4306 ... 23 April 1947 |
| Mended from several pieces; the end of the toe missing and fragments from the walls; restored in plaster; the surface on one side of the lip and on the top of one handle eaten way; ovoid body; lip flat ... 23 July-6 August 1947 |
| Chip missing from exterior of mould; otherwise complete.
Head with rather melancholy expression, tipped slightly to the figure 's right. The hair worn in short curling locks.
The positive shows a very ... 7 June 1939 |
| Two large joining fragments of mold for a figure draped to the waist, nude above.
Part of left and right edges preserved; broken above and below.
Careful work.
Pink to buff clay.
Cf. Dimitrakopoulou (2024), ... 7 June 1939 |
| Broken off at neck.
Head with heavy brows, snub nose, and puffed-out cheeks. The hair worn in a sort of top-knot in front.
Considerable remains of white and some traces of red over.
Light red to brown ... 7 June 1939 |
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