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| First interpretation: Mold signed fragment.
Broken at left and chipped along outer edge at top.
Preserved is a male figure, bearded and partly draped, reclining on a couch and playing the double flutes, ... 27 March 1939 |
| Fragment from mold for upper left corner of high relief; depressed frame.
Relief widens towards bottom of fragment.
In the positive, upper front part of head in profile left; above it a thyrsos, horizontally, ... 1949 |
| Nude male figure.
Mended from six fragments. Head and arms missing; with holes for attachment; lower legs missing, and large part from left side.
Traces of white.
Buff clay.
ADENDA Cf. Delos IV, pp. 26 ... 1949 |
| Small fragment with finished edge at back; front surface marked with two holes punched part way through the clay.
No traces of paint.
Pinkish clay, buff at core. Well. 2197 ff. Leica ... June 1949 |
| Broken off at neck, hips and behind.
Woman wearing a chiron with long overfold and a shawl drawn around her shoulders and knotted in front. Her hands are clasped on front of her and hold small uncertain ... 28 April 1939 |
| From one side of a heavy mould, apparently from a plaque of shallow relief, with the curving rim of the mold preserved. Byzantine fill at S.E. corner of section. Leica ... 30 April 1947 |
| Fingers indicated simply by grooves; in the palm of the hand a small cup or bowl ?
Elaborate gouged decoration suggests a long fitting sleeve (caestus), cf. Gardiner (1930), Athletics of the Ancient World, ... 5 June 1947 |
| The hair piled high.
Gouged style.
Broken across the neck; the back of the head broken away about on the line of the mould.
No color.
Micaceous red clay. Late Roman destruction fill. Leica ... 14 July 1947 |
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