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| First interpretation: Mold signed fragment.
Broken at left and chipped along outer edge at top.
Preserved is a male figure, bearded and partly draped, reclining on a couch and playing the double flutes, ... 27 March 1939 |
| Fragment from mold for upper left corner of high relief; depressed frame.
Relief widens towards bottom of fragment.
In the positive, upper front part of head in profile left; above it a thyrsos, horizontally, ... 1949 |
| Nude male figure.
Mended from six fragments. Head and arms missing; with holes for attachment; lower legs missing, and large part from left side.
Traces of white.
Buff clay.
ADENDA Cf. Delos IV, pp. 26 ... 1949 |
| From one side of a heavy mould, apparently from a plaque of shallow relief, with the curving rim of the mold preserved. Byzantine fill at S.E. corner of section. Leica ... 30 April 1947 |
| The hair piled high.
Gouged style.
Broken across the neck; the back of the head broken away about on the line of the mould.
No color.
Micaceous red clay. Late Roman destruction fill. Leica ... 14 July 1947 |
| Elongated head with high bald brow; trace of hair, or a wreath at the top. Small pointed ears, somewhat exaggerated features.
Broken off below the chin, and the back missing. Surface chipped on forehead ... 15 July 1947 |
| Fragment preserving upper part of face.
Beetling brows; nose and mouth askew; pierced eyes.
Considerable remains of white, with red over.
Smooth blond-buff clay. N.-S. Trench VI; Late Roman fill. 510 Leica, ... 21 July 1947 |
| Nude male figure, seated right, on the stepped base of a herm, leaning against the pillar, and looking back left. His cloak beneath him; left arm on bent left knee, right arm at side, the hand holding ... 19 April 1949 |
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